
Mumbai's film industry is facing a quiet crisis as light men—the technicians who handle lighting on movie sets—are quitting in droves. Their collective cry, 'We can't take this anymore,' has become a grim refrain across studios and outdoor shoots in the city.
These workers, essential to every production, are walking away from 18-hour workdays that leave them physically drained and mentally spent. The exodus has begun to ripple through the industry, forcing producers to scramble for replacements.
For years, light men have endured marathon schedules, often starting before dawn and wrapping well past midnight. The work is relentless, with little time for meals or rest between setups. One worker, speaking anonymously, described the breaking point: 'We are not machines. Our bodies give up, but the work never stops.'
The pandemic-era lull had offered a brief respite, but as productions resumed, the old patterns returned with a vengeance. Many light men say the promise of better working conditions has been broken repeatedly, pushing them to seek livelihoods elsewhere.
The shortage is now being felt acutely. Production managers report delays as they struggle to find skilled light men willing to accept the grueling terms. Some shoots have been forced to reschedule, adding to costs and tension on sets.
Trade unions have long demanded fixed working hours and overtime pay, but enforcement remains sporadic. The current wave of resignations, however, has lent urgency to these demands, with some workers threatening a coordinated strike if conditions do not improve.
The plight of light men underscores a broader issue—the human cost behind the glitz of Bollywood. While actors and directors enjoy fame and fortune, the technical crew often toils in obscurity, bearing the brunt of tight schedules and tight budgets.
Medical experts note that chronic sleep deprivation and long hours on their feet lead to severe health issues, from back problems to hypertension. Yet, until now, these workers have had little recourse, fearing blacklisting if they complained.
As the industry grapples with this labor crisis, the conversation is shifting toward sustainable work practices. Some producers are beginning to explore roster systems and shorter shifts, but change is slow.
For now, the light men of Mumbai are holding firm, determined to reclaim their dignity. Whether the industry listens will determine if the lights on India's film sets stay on—or go dark.